6 votes

The Who: Won't Get Fooled Again

Don't buy into the "anybody is better than Obama" or "lesser of two evils" nonsense. This should be an election year like no other.

http://www.youtube.com/watch?v=Rp6-wG5LLqE

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Can't forget one of Ron Paul's favorite song.

http://www.youtube.com/watch?v=1pR6ho_GSZs

Great song too. Born Free - (Andy Williams performing)

Jefferson's picture

We

were having a discussion about this song the other day.

I think it is the PERFECT campaign song/theme. In fact, I think we should change the current slogan (since Romnney stole it) to
"Don't get fooled again."

This would make a perfect political ad track.

"Meet the new boss" (flashes Romnney's face)

"Same as the old boss" (flashes BHO's and maybe Bush's face)

There are so many words in that song that relate to our campaign.

I tried to track down one of The Who's old managers who is a psychotherapist in NY state, but had no luck.

I don't know what their

I don't know what their polics are, but I heard they were pissed at Michael Moore for trying to use this song in that Alex Jones ripoff movie "Fahrenheit 911."

Jefferson's picture

Did

they give a reason why?

That was a long time ago. Surely they understand by now, that BO is just more of the same.

Edit: Nevermind, I found it.

Michael Moore has been making some claims – mentioning me by name - which I believe distort the truth.

He says – among other things – that I refused to allow him to use my song WON’T GET FOOLED AGAIN in his latest film, because I support the war, and that at the last minute I recanted, but he turned me down. I have never hidden the fact that at the beginning of the war in Iraq I was a supporter. But now, like millions of others, I am less sure we did the right thing.

When first approached I knew nothing about the content of his film FAHRENHEIT 911. My publisher informed me they had already refused the use of my song in principle because MIRAMAX the producers offered well below what the song normally commands for use in a movie. They asked me if I wanted to ask for more money, I told them no.

Nevertheless, as a result of my refusal to consider the use, Harvey Weinstein – a good friend of mine, and my manager Bill Curbishley – interceded personally, explained in more detail to Bill what the movie was about, and offered to raise the bid very substantially indeed. This brought the issue directly to me for the first time. Bill emailed me and told me how keen Harvey and Michael Moore were to use my song.

At this point I emailed Bill (and he may have passed the essence of what I said to Harvey Weinstein) that I had not really been convinced by BOWLING FOR COLUMBINE, and had been worried about its accuracy; it felt to me like a bullying film. Out of courtesy to Harvey I suggested that if he and Moore were determined to have me reconsider, I should at least get a chance to see a copy of the new film. I knew that with Cannes on the horizon, time was running short for them, and this might not be possible. I never received a copy of the film to view. At no time did I ask Moore or Miramax to reconsider anything. Once I had an idea what the film was about I was 90% certain my song was not right for them.

I believe that in the same email to my publisher and manager that contained this request to see the film I pointed out that WGFA is not an unconditionally anti-war song, or a song for or against revolution. It actually questions the heart of democracy: we vote heartily for leaders who we subsequently always seem to find wanting. (WGFA is a song sung by a fictional character from my 1971 script called LIFEHOUSE. The character is someone who is frightened by the slick way in which truth can be twisted by clever politicians and revolutionaries alike). I suggested in the email that they might use something by Neil Young, who I knew had written several songs of a more precise political nature, and is as accessible as I am. Moore himself takes credit for this idea, and I have no idea whether my suggestion reached him, but it was the right thing to do.

I have nothing against Michael Moore personally, and I know Roger Daltrey is a friend and fan of his, but I greatly resent being bullied and slurred by him in interviews just because he didn’t get what he wanted from me. It seems to me that this aspect of his nature is not unlike that of the powerful and wilful man at the centre of his new documentary. I wish him all the best with the movie, which I know is popular, and which I still haven’t seen. But he’ll have to work very, very hard to convince me that a man with a camera is going to change the world more effectively than a man with a guitar.

Pete
http://www.freerepublic.com/focus/f-news/1167691/posts